What a magical image this is. An audience of young people has packed a theatre, to such a degree that some are on the stage, while others sit perilously on the edge of the balcony, their legs hanging over. They are fresh-faced, eager, revelling in where they are and who they are. A man andRead More
A new film, as yet untitled, made by Peter Jackson (of Lord of the Rings fame) and his company WingNut Films has just been announced. Commissioned by the UK World War I centenary art organisation 14-18 NOW, and scheduled to be premiered at the London Film Festival in November 2018, with cinema and school showingsRead More
I’m delighted to be able to report that my 2013 book, Charles Urban: Pioneering the Non-Fiction Film in Britain and America, 1897-1925, is now available in paperback, from University of Exeter Press. Previously available in hardback at a price best suited to the specialist library market, or as an e-book (has anyone purchase Urban theRead More
Kinemacolor was the world’s first successful natural colour motion picture system. It was preceded by some trial colour systems that did not work in practice, and it competed against artificial systems which painted colours onto film stock. Kinemacolor was the first system successfully to achieve one of the primary goals of the pioneers of motionRead More
I’ve been adding more images to my Flickr pages reflecting the works of Charles Urban. Having started with pictures from his 1903 catalogue We put the World Before You, I’ve turned to another treasure among his catalogues, the Catalogue of Kinemacolor Film Subjects (1912). Copies of this catalogue are rarer than hen’s teeth, and I’mRead More
On 1 August University of Exeter Press is publishing my book, Charles Urban: Pioneering the Non-Fiction Film in Britain and America, 1897-1925. It is based on my PhD thesis, which I completed in 2003, but it has been updated with reference to new research in the field, though equally the word-length has been cut downRead More
Time was when little was written about colour in film, or colour in the arts generally, except for technical studies. You could read about how a dye or a pigment was made, or how a colour film projector operated, but little about the significance of colours, be that culturally, socially or even aesthetically. Michael Pastoureau,Read More