One of the great fascinations of early cinema is the archaeology involved. While for later periods of film issues of identification are relatively clear (title, authorship, duration, variations, ownership etc), for early films when the business was young and its nature indeterminate, things are not always straightforward. If you combine this with all the changesRead More
I have a third past paper that I am publishing on this site. Back in 2011 I was invited to speak at the 8th Seminar on the origins and history of cinema, a series hosted by the Museu del Cinema in Girona, Spain. The title of the seminar (a conference really) was ‘The Construction ofRead More
I’m continuing to look through the files at papers I wrote which were published but are no longer available, or which were never made available in the first place, with the aim of publishing them on this site, in the hope that this is useful to someone. One paper that falls into the never madeRead More
One of the goals I have for this website is to make as many of the texts I have written as I can available for free download. You can find what is available as hyperlinks on the Publications and Talks sections of the site. One text I have just added is a 12,000 word essayRead More
I have two definitions of what history is, which I wrote years ago and have repeated several times thereafter – and here they are again: 1. History is what was known once but has been forgotten 2. History is the present’s interpretation of the past It’s worth considering these when contemplating the subject of women’sRead More
The first X-rated film I saw was The Long Good Friday. It was 1981, I was nineteen, and a little apprehensive about the promised violence that only someone of the age I had now attained was permitted to see. The opening scenes of the film were confusing. Money was being changed hands, clearly illicitly. TheRead More
It begins with a book, a map, then a man swimming to the shore of island. It is the most economical of openings to a film. The book tells us that this is a story of note, one that should automatically command our respect. The map tells us that what we are to witness isRead More
There are those touchstone films that you have to see every now and again. Not obsessively, but occasionally – the old friend met once every few years, yet without whom you would not know where you are. You know every scene, every word is familiar to you, but you must see it again. It isRead More
Ten and a bit years ago I contributed for the first time to the venerable Sight and Sound once-every-ten-years poll of the greatest films. The poll has been running since 1952. The top choice of the sixty-three critics who contributed was Ladri di biciclette, or Bicycle Thieves (Italy 1948). From 1962 to 2002 the poll-topperRead More
To the cinema to see a film about cinema. Is there any art form, any medium, that has been quite so sentimental about itself as cinema? There is nostalgia in the understanding of every art form or medium which has transformed through time, but cinema’s forlornness seems particular to itself. It is summed up byRead More