Here’s number 2 in an occasional series that reviews unfamiliar or neglected books on film. This time we take a look at Neil Sinyard, Filming Literature: The Art of Screen Adaptation (London/Sydney: Croom Helm, 1986). “The legacy of the nineteenth-century novel is the twentieth-century film”. The opening line of Neil Sinyard’s Filming Literature is typicalRead More
The National Archives recently issued some declassified MI5 files which cast an intriguing light on one corner of British film history. An MI5 dossier says that Sidney Bernstein, owner of the Granada cinema chain, a founder of ITV, and later Lord Bernstein and a fellow of the British Film Institute, was a Soviet informer. AsRead More
How sad to learn of the death of Wendy Toye. Most film histories don’t mention her, but that’s the usual fate of choreographers, not to mention women directors. Toye was both, and though she directed just a handful of films, there is one cast-iron classic among them, and as a choreographer she kept British filmsRead More
I’m going to establish some occasional series and will start with a series that reviews books on film. The emphasis is going to be on unfamiliar or neglected titles. No one researching film needs to be told of the value of, say, David Thomson’s Biographical Dictionary of Film or Siegfried Kracauer’s From Caligari to Hitler,Read More
Death makes strange bedfellows. The obituaries columns are marking the deaths of Ian Carmichael and Johnny Dankworth, rightly praising each for their contributions to art and culture. Yet though there is no obvious connection between the two, they do share a paradoxical relationship to British film – what you might call invisible significance. Ian CarmichaelRead More
Is it right to let us see men dying? Yes. Is it a sacrilege? No. If our spirit be purged of curiosity and purified with awe the sight is hallowed. There is no sacrilege if we are fit for the seeing … I say it is regenerative and resurrective for us to see war strippedRead More