Continuous performance

As part of my Picturegoing survey of eyewitness accounts of going to see pictures, I have been reproducing what is among the best pieces of sustained writing on the process of cinemagoing, the ‘Continuous Performance’ essays written by Dorothy Richardson for the film journal Close Up. Dorothy Richardson (1873-1957) was a British novelist, a pioneerRead More

The art of the spine

I have just finished reading The Speechwriter, by Barton Swaim. It’s an account of the writer’s experience as speechwriter for the Republican politician Mark Sanford, whose presidential ambitions were crushed by revelations of an extramarital affair. Sanford isn’t mentioned by name but is readily identifiable. I found the the book to be an awkward mixtureRead More

Lumière forever

Most honest histories are untidy; early film history especially so. The first years of cinema were a complex field in which the different elements that would make up the medium were ‘invented’ at different stages, in which the many participants engaged in its creation held widely different understandings of just what the medium meant, andRead More