I read quite a few books in 2020, and finished most of them. As with last year, rather than try and survey them all (which would be too much) or even just the ones I thought were good (which would still be too much), I have selected twelve, one for each of the months inRead More
At the start of 2020 Bob Dylan might have been looking forward to a quiet year. He had a few new recordings lined up or completed. There would be around 100 concerts – par for the course. He might weld a few gates, sip a little more whiskey, and rest a while. He was goingRead More
According to Spotify, I listened to 462 music genres over 2020. I did not know that there could be that many genres, and I’m certain I couldn’t name them. At the end of a year’s listening for those signed up to the service, they send a cheery, personalised summary of your year’s listening, packed withRead More
How on earth do you review a year like 2020? To do so would suggest normality, to act as though this not been a year when all regularity stopped. Everything became a parody of itself, an echo of something that we used to do when it seemed that we had a reason for doing so.Read More
One medium that has shone out during the coronavirus pandemic has been radio. From the very start of the crisis, through lockdowns one and two, and life under tiers, radio – and I’m thinking particularly of community radio – has responded with alacrity and great enterprise. All media has responded to the pandemic with urgencyRead More
Among the ugliest of words to have been created to fit the digital age is ‘webinar’ (the ugliest of all is, of course, ‘blog’). It’s a word that highlights the parodic nature of so much of online life. In the real world we had seminars; in the world that imitates it, there are webinars. ThatRead More
After the happy news back in 2018 that The Bioscope, the leading silent era British film journal, had been digitised for the British Newspaper Archive, some would come up to me and ask, what about the other leading silent era British film journal? What about the Kinematograph Weekly? Ah, I would say. That would beRead More
Among the saddest sights in half-empty London are its theatres. Walk along Shaftesbury Avenue and adjoining streets, and there is theatre after theatre advertising empty shows. The Victorian and Edwardian grand buildings, with their stony solidity, graced with sculptural curlicues and busts of Shakespeare, proudly bearing the names of theatrical greats, squeezed tightly into theRead More
Some places have so little to tell about themselves, and that can be part of their appeal. Take Egypt Bay, for example. It’s a small bay on the northern coast of the Hoo Peninsula, that overlooked piece of land jutting out of the Kent mainland, caught between Essex and Sheppey. The River Thames flows byRead More
One of the cinema’s great gifts to us all is the closing shot. Each art form becomes distinctive through its ability to tell stories through devices unique to itself, and so there is nothing in the novel, theatre, opera or any other dramatic method that has anything to compare with the closing shot of cinema.Read More