The film programmers among you (real and imaginary) will have noticed that 2016 sees the 400th anniversary of Shakespeare’s death, and there is an obligation to show something of the man’s works on your screens. With a heavy sigh you turn to the obvious Branaghs and Oliviers, with just maybe Forbidden Planet (perhaps the best-knownRead More
I went to the cinema this afternoon to see Spotlight, and I was very impressed. It is fully deserving of its Academy Award. It is not only a gripping, sobering account of priestly child abuse in Boston, but champions the noble practice of investigative journalism, highlighting the best of newspapers at a time when theRead More
The other night I watched Housekeeping, for the first time in some twenty-five years. It’s the first film that the Scottish director Bill Forsyth made in America, and though it was warmly received by critics at the time, it had few of the trademark comic qualities that made Gregory’s Girl and Local Hero so popular,Read More
At the British Library (the institution which kindly helps me keep body and soul together) we regularly make promotional videos. They are snappy little numbers, designed to show what a bright, inviting and relevant place the Library is. The editing is brisk, the graphics float informatively over the screen, and the music is toe-tapping. YetRead More
After television and books, here’s my review of the year in film. As someone who only saw two new films in a cinema this year, it still feels a bit of a cheat to be talking about enjoying film in any other way, but aside from attending a film festival (just the one in 2015)Read More
As part of my Picturegoing survey of eyewitness accounts of going to see pictures, I have been reproducing what is among the best pieces of sustained writing on the process of cinemagoing, the ‘Continuous Performance’ essays written by Dorothy Richardson for the film journal Close Up. Dorothy Richardson (1873-1957) was a British novelist, a pioneerRead More
It may be hard to say for certain, but I don’t know that there has ever been a better title for a book than Too Naked for the Nazis. It’s the title of a biography by Alan Stafford of the legendary variety trio Wilson, Keppel and Betty, and derives from an apparently genuine reaction byRead More
Well, no sooner had I written that there was no website good or bad devoted to the films of the Lumière brothers, then someone quite coincidentally tells me of one – and it is superb. Catalogue Lumière is exactly what it says, a catalogue of the films made by the Lumières between 1895 and 1905.Read More
Most honest histories are untidy; early film history especially so. The first years of cinema were a complex field in which the different elements that would make up the medium were ‘invented’ at different stages, in which the many participants engaged in its creation held widely different understandings of just what the medium meant, andRead More
Lucifer (2014), directed by the Belgian filmmaker Gust van den Berghe, is a remarkable work of art. Loosely based on the 1654 Dutch play of the same title by Joost van den Vondel, it tells of the visitation of the Devil to a present-day Mexican village, bringing sin and sorrow in his wake, leading toRead More