I am out in London, and it has been a long day. I am walking towards the train station for the journey home, when I pass close by a shopping centre with an art house cinema in the middle of it. It is still early evening, and I think to myself why not see ifRead More
I’m happy to announce the re-launch of Who’s Who of Victorian Cinema, an online biographical guide to the earliest years of motion pictures, 1871-1901. The site is based on a 1996 book of the same name, edited by Stephen Herbert and myself, which we turned into a website in 2003. It has undergone a majorRead More
Time was when little was written about colour in film, or colour in the arts generally, except for technical studies. You could read about how a dye or a pigment was made, or how a colour film projector operated, but little about the significance of colours, be that culturally, socially or even aesthetically. Michael Pastoureau,Read More
At the British Library we have been digitising some of our film and video collection. It’s a collection that has been built up not with an overall moving image resource in mind, but rather as a reflection of the interest of particular curators. So the collection does not cover all subjects, instead specialising in certainRead More
A recent article by Andrew O’Hagan in the London Review of Books has caused quite a stir. Written in the aftermatch of the Jimmy Savile scandal, it exposes a culture of child abuse from past decades perpetrated by various BBC personalities. One of these was the commentator and producer Lionel Gamlin. As a historian ofRead More
This week I attended Screening the Future 2011: New Strategies and Challenges in Audiovisual Archiving, held in Hilversum, the Netherlands. The event was organised by PrestoPrime and PrestoCentre, interlinked projects funded by the European Union as part of a decade-long programme looking at how film and broadcast archives should plan for the future by sharingRead More
On the night of 16 December 1910 a group of Latvian revolutionaries attempted to rob a jeweller’s shop at 119 Houndsditch in the City of London. Their aim was to obtain funds to support revolutionary activity in Russia (and to support themselves), but their efforts to break in were overheard and nine policemen were calledRead More
The relief to be out of the sun, To have come north once more To my islands of dark ore Where winter is so long Only a little light Gets through, and that perfect. I think this is my favourite film poem. It’s not immediately obvious that it is about film; for that you needRead More
Here’s number 4 in an occasional series that reviews unfamiliar or neglected books on film. Today’s choice is Leslie Halliwell’s Halliwell’s Film Guide (London: Granada, 1977, 2nd ed. 1979, 3rd ed. 1981, 4th ed. 1983, 5th ed. 1985, 6th ed. 1987, 7th. ed. 1989). At first sight, Halliwell’s Film Guide may not seem a suitableRead More
Memory is an entirely personal thing. What we call our memories are constructions of the brain which alter according to time and circumstance. They are not objective, and they do not correlate exactly with reality, as any court of law can demonstrate. One person’s memories will never be precisely the memories of another person. NotionsRead More