Memory is an entirely personal thing. What we call our memories are constructions of the brain which alter according to time and circumstance. They are not objective, and they do not correlate exactly with reality, as any court of law can demonstrate. One person’s memories will never be precisely the memories of another person. NotionsRead More
This is an extraordinary image. It’s a Japanese postcard dating from 1908 (the postage stamp says Meijii 41, which is 1908). However the image that it shows dates from November 1899. It shows on the right the greatest of all kabuki actors, Ichikawa Danjuro IX (1838-1903), and on the left Onoe Kikugoro V (1844-1903), secondRead More
Sight & Sound has published a poll of the most useful and/or inspirational film books ever written. Not the best books ever, but those which have proven of the greatest value or which are most important to the fifty or so critics invited to take part. I was one of those invited to contribute, thoughRead More
Here’s number 3 in an occasional series that reviews unfamiliar or neglected books on film. Today’s choice is Hanns Zischler, Kafka Goes to the Movies (Chicago/London: University of Chicago Press, 2003). Was at the movies. Wept. Lolotte. The good pastor. The little bicycle. The reconcilitation of the parents. Boundless entertainment. Before that a sad film,Read More
Here’s number 2 in an occasional series that reviews unfamiliar or neglected books on film. This time we take a look at Neil Sinyard, Filming Literature: The Art of Screen Adaptation (London/Sydney: Croom Helm, 1986). “The legacy of the nineteenth-century novel is the twentieth-century film”. The opening line of Neil Sinyard’s Filming Literature is typicalRead More
The National Archives recently issued some declassified MI5 files which cast an intriguing light on one corner of British film history. An MI5 dossier says that Sidney Bernstein, owner of the Granada cinema chain, a founder of ITV, and later Lord Bernstein and a fellow of the British Film Institute, was a Soviet informer. AsRead More
How sad to learn of the death of Wendy Toye. Most film histories don’t mention her, but that’s the usual fate of choreographers, not to mention women directors. Toye was both, and though she directed just a handful of films, there is one cast-iron classic among them, and as a choreographer she kept British filmsRead More
I’m going to establish some occasional series and will start with a series that reviews books on film. The emphasis is going to be on unfamiliar or neglected titles. No one researching film needs to be told of the value of, say, David Thomson’s Biographical Dictionary of Film or Siegfried Kracauer’s From Caligari to Hitler,Read More
Death makes strange bedfellows. The obituaries columns are marking the deaths of Ian Carmichael and Johnny Dankworth, rightly praising each for their contributions to art and culture. Yet though there is no obvious connection between the two, they do share a paradoxical relationship to British film – what you might call invisible significance. Ian CarmichaelRead More
Is it right to let us see men dying? Yes. Is it a sacrilege? No. If our spirit be purged of curiosity and purified with awe the sight is hallowed. There is no sacrilege if we are fit for the seeing … I say it is regenerative and resurrective for us to see war strippedRead More