Kinemacolor was the world’s first successful natural colour motion picture system. It was preceded by some trial colour systems that did not work in practice, and it competed against artificial systems which painted colours onto film stock. Kinemacolor was the first system successfully to achieve one of the primary goals of the pioneers of motionRead More
Here’s what tomorrow looks like. At last week’s Google Cloud Next Conference held in San Francisco, Google announced a new API (application programme interface) entitled Cloud Video Intelligence. With such an application, developers will be able to detect objects within videos and make them word-searchable, as well as detecting scene changes and tagging objects accordingly.Read More
Not long after YouTube appeared in 2005, I started to take note of the phenomenon of online Shakespeare. I had been interested in Shakespeare and film for a long time – it was really Shakespeare that encouraged my interest in film in the first place – but here was something quite new. Previously Shakespeare filmRead More
This is the text of the talk I gave on 29 January 2016 at the Institute of Historical Research’s Winter Conference. The theme of the conference was ‘The Production of the Archive‘, and I was asked to say something about sound and/or moving image archives in a section of the day called ‘Beyond text andRead More
Video screens are everywhere nowadays. TVs, tablets, phones, railway stations, bus shelters, airplane seats, tube station walls, you name it – but until last week I had never seen a video screen on a ceiling. This new experience came about when I had to go to the dentist. I sat back in the chair, staredRead More
YouTube is ten years old. On 23 April 2005, Jawed Karim stood before a video camera wielded by Yakov Lapitsky in front of the elephant enclosure at San Diego Zoo. Karim gave the anxious look at the camera we all give when we sense that filming has started and we ought to have to sayRead More
I was rather thrilled to read a piece in the Times Educational Supplement, in which Sanjay Sarma, director of digital learning at the Massachusetts Institute of Technology, called for teachers to stop relying on traditional teaching methods and instead use ten-minute videos. He is quoted as saying: The way we teach today is based onRead More
I have been engrossed by Turner Prize-winning Jeremy Deller‘s video installation English Magic. Produced as part of, and as a synthesis of, his Venice Biennale exhibition of the same name, the British artist’s work is a playful and visually profound statement on the state of the nation (particularly the English nation). The video is aRead More
Today I attended What is Restoration?, a one-day conference on the subject of film and video restoration, organised by FOCAL International and hosted by the BFI Southbank. FOCAL International organises an annual set of awards for use of footage in film and television productions. The awards include two for film restorations: one for best singleRead More
Frame still from 1935 home movie footage by Group Captain Lister showing the bombing of Warziristan villages in Afghanistan in 1935, from a 1980 BBC documentary Television is changing. This change is not simply in the modes of delivery (essentially the broadband and broadcast trend demonstrated by iPlayer, Hulu, SeeSaw, Project Canvas and such like)Read More