There’s a scene in Primary Colors (1998), one of my favourite American movies, that keeps coming back to me as I read about the current presidential race in the USA. Jack Stanton, a Southern governor in pursuit of the Democratic nomination for president, is beset by scandal. His great strength is his empathy with ordinaryRead More
Pity the New York Times‘ TV critic Mike Hales, who recently reviewed the first few episodes of Amazon’s new series Goliath. As The Drum reports, Hales complained of the series having a “needlessly complicated structure”. … presumably because the first episode leaves so much unanswered, the next jumps back in time to fill in theRead More
I’ve been adding more images to my Flickr pages reflecting the works of Charles Urban. Having started with pictures from his 1903 catalogue We put the World Before You, I’ve turned to another treasure among his catalogues, the Catalogue of Kinemacolor Film Subjects (1912). Copies of this catalogue are rarer than hen’s teeth, and I’mRead More
Why sit on stuff when you can give it away and be useful? Well exactly, and so I’ve been uploading some of my Charles Urban images to a new folder on Flickr. As well as plundering my digital archive, I’ve been copying and pasting images from Urban’s 1903 film catalogue, We Put the World BeforeRead More
Next month, on 23 June, I am introducing the film Amleto at the Bristol Watershed. It’s an Italian film, made in 1917, and yes it’s the story of Hamlet. Among all the celebrations of quatercentenarian William Shakespeare, and among almost every book written on Shakespeare and film, you will find no mention of this gem,Read More
What is the connection between Balzac’s The History of the Thirteen, Lewis Carroll’s ‘The Hunting of the Snark’, and Aeschylus’ Prometheus Bound? Answer – there isn’t one. Or rather there is, in that all three are specifically referenced by Jacques Rivette’s improvisational epic set of films, Out 1 (1971), but whose chief purpose might beRead More
Watching a BBC television programme on the history of the UK and the European Union the other night (Europe: Them or Us), I noted the great amount of archive footage used and how skilfully it had been woven into the argument. I looked, as I always do on such occasions, at the credits, to seeRead More
The film programmers among you (real and imaginary) will have noticed that 2016 sees the 400th anniversary of Shakespeare’s death, and there is an obligation to show something of the man’s works on your screens. With a heavy sigh you turn to the obvious Branaghs and Oliviers, with just maybe Forbidden Planet (perhaps the best-knownRead More
I went to the cinema this afternoon to see Spotlight, and I was very impressed. It is fully deserving of its Academy Award. It is not only a gripping, sobering account of priestly child abuse in Boston, but champions the noble practice of investigative journalism, highlighting the best of newspapers at a time when theRead More
The other night I watched Housekeeping, for the first time in some twenty-five years. It’s the first film that the Scottish director Bill Forsyth made in America, and though it was warmly received by critics at the time, it had few of the trademark comic qualities that made Gregory’s Girl and Local Hero so popular,Read More