Hidden colours

The past did not take place in black-and-white, but many of the technologies for documenting that past when it was present operated in that way. But in our age of never-ending marvels we can right the egregious errors of such out-moded systems. So it is that the colourisation of black-and-white actuality films and photographs hasRead More

Monochrome

Earlier this year I wrote a blog post about the director Peter Jackson’s plans to produce documentary featuring colourised footage from the First World War. Though nothing was available of the film bar a single still, I was alarmed by the rationale behind it. The argument seemed to be that digital technology now allowed usRead More

Discovering Kinemacolor

Kinemacolor was the world’s first successful natural colour motion picture system. It was preceded by some trial colour systems that did not work in practice, and it competed against artificial systems which painted colours onto film stock. Kinemacolor was the first system successfully to achieve one of the primary goals of the pioneers of motionRead More

Lost colours

I’ve been adding more images to my Flickr pages reflecting the works of Charles Urban. Having started with pictures from his 1903 catalogue We put the World Before You, I’ve turned to another treasure among his catalogues, the Catalogue of Kinemacolor Film Subjects (1912). Copies of this catalogue are rarer than hen’s teeth, and I’mRead More

Colour music

A recent post by John Wyver on his very fine Illuminations blog covered the history of Mobilux, a system for projecting abstract images onto a screen which was used for some television broadcasts in 1950s. It’s a fascinating insight into the ways in which television was viewed, and used as a vehicle for experimentation, inRead More

Charles Urban

On 1 August University of Exeter Press is publishing my book, Charles Urban: Pioneering the Non-Fiction Film in Britain and America, 1897-1925. It is based on my PhD thesis, which I completed in 2003, but it has been updated with reference to new research in the field, though equally the word-length has been cut downRead More

How colour works

Time was when little was written about colour in film, or colour in the arts generally, except for technical studies. You could read about how a dye or a pigment was made, or how a colour film projector operated, but little about the significance of colours, be that culturally, socially or even aesthetically. Michael Pastoureau,Read More